盧悅 Lu Yueh
b.1991, 台灣 Taiwan
我的創作受散步、搬家和旅行⋯⋯等具有移動性的空間經驗所啟發，並且反映了自身與生活物件、自然環境和城市空間的深刻聯繫。
我成長於環山濱海的台灣東部，在童年時期經歷多次搬家喬遷，成年後經常獨自前往海外旅行；身處異地的觀察、建立連結和記憶等感知時空的方式，至今仍然激勵著我。
我的創作過程涉及「直覺」和「未完成」的性質。我偏愛紙上繪畫、素描和拼貼的形式。我發現媒材與材料間的關係，以及操作過程中產生的質變，會作用於圖像上，使視覺的意象被附加一種隱喻。例如在作品中可觀察到——圖像之間有色彩、質地或造型的呼應，而後被切割、黏貼，重組產生新的意義；還有的是自製圖像作為素材，再利用於下一件作品的作法。
在創作與日常交錯的時光中，我經常意識到和許多周遭的事物共同存在，而想要透過創作去探索這些詩意和感性的連結，感受它們展開、延伸了我。我因此感到深層的平靜，體認到或許世界是中性的，我們能夠擁抱變動、混雜和不確定性。
My works are inspired by experiences of movement, such as walking, relocating, and traveling, reflecting my deep connection with everyday objects, the natural environment, and urban spaces.
Growing up in the mountainous and coastal areas of eastern Taiwan, I moved homes multiple times during my childhood and traveled abroad alone. The way I perceive space and time—through observing, forming connections, and creating memories in different places—continues to inspire me.
My creative process involves intuition, and often the finished work resembles an unfinished state. I have a preference for drawing, sketching, and collage on paper. I find that the physical properties of materials and the relationships between them—along with the creative process—add a metaphorical layer to the images. In my works, you can see colors, textures, and shapes that interrelate; they are cut, pasted, or recombined to form new meanings. Sometimes, I create my own drawings as materials and then reuse them in subsequent works.
In my creations and daily moments, I often become aware of my coexistence with the surrounding elements. Through my projects, I explore these poetic and sensitive connections, feeling that they ‘unfold’ and ‘extend’ me. This brings me a deep sense of peace, and I understand that perhaps the world is neutral, allowing us to embrace change, intermix, and navigate uncertainty.
b.1991, 台灣 Taiwan
我的創作受散步、搬家和旅行⋯⋯等具有移動性的空間經驗所啟發，並且反映了自身與生活物件、自然環境和城市空間的深刻聯繫。
我成長於環山濱海的台灣東部，在童年時期經歷多次搬家喬遷，成年後經常獨自前往海外旅行；身處異地的觀察、建立連結和記憶等感知時空的方式，至今仍然激勵著我。
我的創作過程涉及「直覺」和「未完成」的性質。我偏愛紙上繪畫、素描和拼貼的形式。我發現媒材與材料間的關係，以及操作過程中產生的質變，會作用於圖像上，使視覺的意象被附加一種隱喻。例如在作品中可觀察到——圖像之間有色彩、質地或造型的呼應，而後被切割、黏貼，重組產生新的意義；還有的是自製圖像作為素材，再利用於下一件作品的作法。
在創作與日常交錯的時光中，我經常意識到和許多周遭的事物共同存在，而想要透過創作去探索這些詩意和感性的連結，感受它們展開、延伸了我。我因此感到深層的平靜，體認到或許世界是中性的，我們能夠擁抱變動、混雜和不確定性。
My works are inspired by experiences of movement, such as walking, relocating, and traveling, reflecting my deep connection with everyday objects, the natural environment, and urban spaces.
Growing up in the mountainous and coastal areas of eastern Taiwan, I moved homes multiple times during my childhood and traveled abroad alone. The way I perceive space and time—through observing, forming connections, and creating memories in different places—continues to inspire me.
My creative process involves intuition, and often the finished work resembles an unfinished state. I have a preference for drawing, sketching, and collage on paper. I find that the physical properties of materials and the relationships between them—along with the creative process—add a metaphorical layer to the images. In my works, you can see colors, textures, and shapes that interrelate; they are cut, pasted, or recombined to form new meanings. Sometimes, I create my own drawings as materials and then reuse them in subsequent works.
In my creations and daily moments, I often become aware of my coexistence with the surrounding elements. Through my projects, I explore these poetic and sensitive connections, feeling that they ‘unfold’ and ‘extend’ me. This brings me a deep sense of peace, and I understand that perhaps the world is neutral, allowing us to embrace change, intermix, and navigate uncertainty.